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Another Chickadee Song

two-birds-title

Two birds in my backyard whistle at each other. The first bird whistles a high B♭ to a G, an interval of a minor third. The second bird answers with the same interval, except a whole tone above the first bird, C to A. I guess one bird is a little hotter than the other. Together the two birds create an unintentional song.

Click the score to turn on and off.


And so the verse of a new song was born. It kind of sounds like “Better Man” by Pearl Jam. Was Eddie Vedder also inspired by two chickadees and their aleatoric song?

Here, take a listen.

* * *

The title “At Song-Two-Birds” is a play on the Irish comic novel At Swim-Two-Birds by Flann O’Brien, wherein the mad King Sweeny transforms into a bird-man and recites poetry on the river ford.

A year to last night
I have lodged there in branches
from the flood-tide to the ebb-tide
naked.
Bereft of fine women-folk,
the brooklime for a brother –
our choice for a fresh meal
is watercress always.
Without accomplished musicians
no jewel-gift for bards –
respected Christ, it has perished me.
The thorntop that is not gentle
has reduced me, has pierced me,
it has brought me near death
the brown thorn-bush.


This is the second Los song inspired by the chickadee. The previous song, “Chickadee (New Wave)”, used the wintry whole tone rather than the spring-time minor third. As summer progresses, the chickadee widens his interval by a step or two. The “fee bees” will be happy major thirds by the end of the summer, but for now they are minor thirds as above.

Listen to “At Song-Two Birds”

To all you chickadees out there, may your songs find you true love.

The Eyes Have It

eyes

It’s spring time again, so that means G tones are peeping out of the water bodies. That’s just the crickety call of the local frogs. Drag on the noteheads below to hear the high G of the spring peepers.

Speaking of G’s, Los Doggies has a tradition of beginning albums in G, as if the dawning of a new spring, and our recent release Heddagabalus is no exception. The opening track, “All the Eyes” begins in G minor Dorian, the key of a reluctant spring.

“All the Eyes” was written over the summer of ’17 with less than a year passing between conception to recording to listening. Usually an album takes forever and you don’t want to listen to the songs ever again. Precious songwriters often liken their creations to children, but they are actually bastard step-children that while you’re glad they exist, you’re sick of them hanging around.

Take a listen.

“All the Eyes” follows the usual format, albeit in extended fashion: verse, chorus, verse, chorus, bridge, instrumental, chorus. That might sound confusing, but it’s essentially three acts of a play.

The verse pays homage to an old NES game Clash At Demonhead, except in a minor key, while the chorus sounds suspiciously like the bridge guitar from Yes’s “Roundabout”.

* * *

This song and album were partly a response to a WaPo article about modern indie-rockers who are embarrassed of their jam-band roots.

Not that many of these indie bands jam. MGMT, Vampire Weekend and Real Estate largely stick to predetermined arrangements. And there’s still a little bit of stigma. More than a few bands approached about this article neglected to call back. Vampire Weekend’s Tomson is upfront about his jam band days but protects the identities of others. “I don’t want to out anybody,” he says.

But [Alex] Bleeker sees greater acceptance on the horizon. It will be a vibe-heavy, groovy new world, where nobody will be ashamed to let their songs soar past the seven-minute mark. “I don’t want ‘jam band’ to be a dirty word in the indie-rock community anymore,” he says.


Well, that’s WaPo for you. I wanted to see what would happen if an indie-rock band actually did jam, but not like a jam-band, like an indie-rock band. So basically like Built To Spill, but actual improvised jams, I guess. And not just guitar solos, although mostly guitar solos.

Anyway it was an experiment in songcraft. In the language of synesthesia, the eyes are red with pupils of darker red staring redly. Todos los ojos rojos. The song is red, but G is itself red.

Listen to “All the Eyes” on Bandcamp.

Heddagabalus

Heddagabalus is here. Pronounced with a gob, gab, or bal. Purchase a digital copy on Bandcamp.


New Album

Stewy’s Melody

Stewy's

While it doesn’t have quite the cult following of a Wegmans or a Trader Joes, the humble chain of Stewart’s Shops inspires a kind of religious devotion in upstaters. If Wegmans is Scientology, then Stewart’s is Jonestown, but obviously with its own brand of Stewart’s Kool-Aid. There must be something in the ice cream that gets people to prostrate before the burgundy swoosh. It can’t be just those sexy burgundy uniforms. And like all holy places, the Stewy’s dining area invites all manner of crazy folk, including audiologist creeps like this author.

Closer

Over the weekend, I did some field recording at the local shop. Drag over the noteheads to listen and click on the score to slow it down.



That right there is one of the best gas pump melodies this side of New York. An arpeggio of an E-flat major Sixth chord, although a little out of tune. A flurry of them plays behind the counter every time someone pumps gas. Most gas pump melodies are rather tedious and simplistic, but as usual, Stewy’s puts their own branding on it. The Major Sixth chord is a also popular chord used for train chimes.

Hey Stewy’s, you want Los Doggies to write you a jingle using your dingle? We promise not to give you the Ween/Pizza Hut treatment. This’ll be elegant, like a Janis Joplin car commercial.

New Christmas Song

Santa

How many cliches can be strung together in a song before it crosses the fine line of originality into copyright infringement? Los Doggies has the answer with a new Christmas song called “Mad for Christmas”.

I don’t always tune in every year, but I’ve always loved Christmas music from the ’50s and ’60s of both the 19th and 20th centuries. It is a time for glockenspiel-dominated pop music. Y’know, like the Boss?

The ideal Christmas tune would feature heavy glock with a jingle bell swing. Meanwhile the other instrumentation would be light, so light it could hardly be heard above the three-part harmonies. Of course, it would be sung in the sacred Christmas key of D Major.

And it wouldn’t be afraid to wish the listener a “Merry Christmas”, or even try to make a big political thing out of it. (Ultimately, we went with a wistful “Happy Christmas,” whispered like George Michael at the end of the song.)

Mad-for-Christmas_score

“Mad for Christmas” sounds like a dozen other classic carols. The wide chorus melody is almost like “Here Comes Santa Clause” and the song follows a similar chord progression. Listen below and try to spot some other holiday motifs.

A very merry Christmas to you!

Download “Mad for Christmas” for free on Bandcamp.

American Pancake review


Thank you to Robb of American Pancake for his review of Ear Op. Click here for the review. Robb’s blog is filled with in-depth album reviews and musical musings like improvisational songwriting. Fans of this here site will love the content.