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The Loudest Note in the World

New video about industrial noise and planetary chords.

This is actually made from an old post because I haven’t had a new idea in 10 years. I prefer the classic bloggy style featured on this site, which is more of a literary adventure augmented with sounds and music, like a book—half-on-tape. But these days, information and infotainment is mostly relayed through funny YouTube videos, so I am stubbornly embracing the technology to supplement our slipshod, flash-based encyclopedia of natural music. Look for more funny vids and maybe even some serious art kino in the future.

Lydian Birdsong

In my backyard, two black-capped chickadees sing an unintentional Lydian song that sounds like “Better Man” by Pearl Jam. Click on the score below to listen and loop.

The Eb-bird sings his phrase while the F-bird answers, and the Eb-bird answers that; then there is a measure of silence. Are any females listening to these guys? In such a situation, which of them is truly the better man?

Los Doggies covered the chickadee song on the album e’rebody using the whole tone interval, but above the birds are singing minor thirds--which sound like the 3rd and 5th of a major chord. In the crowded urban areas, the birds’ interval tends to widen, while in the woods, they sing the smaller whole tone. Basically, city-birds have something to prove.

My blackheads sing Pearl Jam and take other requests off Vitalogy in exchange for bagel seeds. Somehow these two competing males are much more songful than the two local church bells racing to announce the dissonant hour.


Literary mag SPANK the CARP interviewed Evan from Los Doggies (that’s me). Herein you can find many startling truths and incomprehensible insights into musical creation, including how to write a song, why to write a song, and the nature of the song itself. Enjoy!

Link to interview

April Shows

Our record Ear Op is being pressed and will come out in May. In the meantime, we’re gearing up for some shows.

Los Doggies tour dates


Queen City Tapes released a new compilation of Hudson Valley artists with yours truly. It features our recent song “Homebody” that didn’t have a home until now. The cover has an Illuminati eye because we know who really funds all the DIY tapes.

We’ll be shaking that Ass of Horus on April Fool’s at Darkside Records as part of a showcase of compilation artists. We hope to see you there.

C Power Chord

Do you know this sound? The sound of a swelling C power chord? Click on the score below.

This is the chord of the wolfmother network. This is the chord born of noise.

That’s actually an HBO chord. The H stands for “home” and nothing spells home like a C chord. From a flood of white noise comes a harmonious root and fifth. Ordo ab chao. The television poltergeist gives way to a choir of angels and men. The chord is played so low it has to be written in bass clef. And everyone hates bass clef. It’s the clef that never gets laid.

You know HBO — that softcore porn network your parents watch. It’s got that highly enjoyable Luciferean show your grandparents make out to. But this isn’t shilling for Big Media, just big chords — C power chords that almost sound major and are not, but do lie.

Anyway, in my day HBO had a really cool aerobics anthem and it could only be viewed on a snowy CRT. There weren’t all these hogwart witches with holly-wood wands casting spells into the night. Instead we’d fade out gently on dead air in the small hours after a little landline tiquing and orgies.

Jupiter Melody

I often think about this melody from Jupiter, the Bringer of Jollity. Drag over the black stemmed noteheads below.

This is the G Suspended Seventh chord in melodic form. It goes up in fourths because that’s what Suspended 7th chords do. It’s what I do too.

Jupiter, the Jolly One is part of a seven-planet suite (fuck you, Pluto; fuck you, Earth) by English composer Gustav Holst, who also wrote for the Super Mario Brothers. Holst is very accessible because his planets are basically glorified songs and everybody rips him off; there probably wouldn’t be a King Crimson or Norwegian black metal without him.

In 1918, the debut of Gustav’s The Planets helped achieve armistice in WW1 on 11/11 at 11:11. Meanwhile, Stravinsky was banging odd-time drum-beats, and Charles Ives conceived the Universe upon a xylophone solo.

Go listen to Jupiter by Holst and then tell me you didn’t get your jollies out!