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	<title> &#187; Insects</title>
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		<title>Occupy Melodies</title>
		<link>http://www.losdoggies.com/archives/2430</link>
		<comments>http://www.losdoggies.com/archives/2430#comments</comments>
		<pubDate>Wed, 23 Nov 2011 00:58:25 +0000</pubDate>
		<dc:creator>Los Doggies</dc:creator>
				<category><![CDATA[Bloggies]]></category>
		<category><![CDATA[Clapping on the One]]></category>
		<category><![CDATA[Insects]]></category>
		<category><![CDATA[Minor Third]]></category>

		<guid isPermaLink="false">http://www.losdoggies.com/?p=2430</guid>
		<description><![CDATA[New York New Yorkers have been singing lots of fresh new songs over the past couple of months. They sing on the street, and in the park, and on the bridge. They even engage in what George Orwell once called &#8220;group-sing&#8221;. They sing syncopated 4/4 call-and-answer crowd-pleasers, sung with the People&#8217;s Microphone, at plus 120 [...]]]></description>
			<content:encoded><![CDATA[<p><font face="verdana" size="2"><img style="float:left; margin:0 0px 0px 0;width: 171px; height: 152px;" src="http://www.losdoggies.com/Crap/newyorker-logo.jpg" border="0" alt=""/>New York New Yorkers have been singing lots of fresh new songs over the past couple of months. They sing on the street, and in the park, and on the bridge. They even engage in what George Orwell once called &#8220;group-sing&#8221;. They sing syncopated 4/4 call-and-answer crowd-pleasers, sung with the People&#8217;s Microphone, at plus 120 beats per minute, many of them throwbacks to the 60&#8242;s anti-war folk era. That old standby &#8220;Hey Hey, Ho Ho&#8221;, while explicitly unsung throughout the movement, inspires many of the cadences you hear in modern day protest music. &#8220;The People United&#8221; as widgetized below, has the same feel as this revolutionary classic. To sing it is to realize a tambourine is never far behind. </p>
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The iambic rhythms of the &#8220;hey-<em>HEY</em>&#8221; and the &#8220;ho-<em>HO</em>&#8221; are kept intact, but the tempo has been souped up; it&#8217;s practically house music at 134 bpm. &#8220;The People United&#8221; like many Occupy melodies, is completely monotonal. In the example above, the protestor sings around an <strong>F#</strong>. Try looping the drum beat with the chant, and dropping a few <strong>F#</strong> bass bombs on top. I read somewhere that Jay-Z is going to do a mash-up, co-opting this little Occupy melodie [sick].   </p>
<p><strong>Minor Thirds </strong><br />
But the songiest protests of the Occupation are the call-and-answer chants such as &#8220;This Is What Democracy Looks Like&#8221; which encompasses an actual musical interval. Drag and click on the score below to hear the Minor Third interval between the antecedent phrase &#8220;Show me what&#8230;&#8221; and the consequent phrase &#8220;This is what&#8230;&#8221;</p>
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<p>Democracy is clapping on the ones without shame.</p>
<p>Sometimes it&#8217;s a Major Third interval, when the antecedent protestor is over-zealous, but usually it&#8217;s Minor all the way. Chanting Minor Thirds is a popular way to go, as Seconds are too small for anyone to care about, and Major Thirds and Fourths are too big for anyone to sing. But even the noisy mobs at a modern day <a href="http://www.losdoggies.com/archives/25">sporting event</a> can sing perfectly pitched, albeit <a href="http://www.losdoggies.com/asshole.swf">profane, Minor Thirds</a>. Minor Thirds are what makes minor music sad, and there is sadness here too. <em>All minor 3rds are the blues</em>, as the saying goes. </p>
<p>Here&#8217;s my personal favorite, &#8220;Shame&#8221; by OWS. It is a 4/4 song, as they all are, with staccato accents on the ones.</p>
<p><center><object type="application/x-shockwave-flash" allowScriptAccess="never" allowNetworking="internal" height="140" width="350" data="http://www.losdoggies.com/Crap/shame.swf"><param name="allowScriptAccess" value="never" /><param name="allowNetworking" value="internal" /><param name="movie" value="http://www.losdoggies.com/Crap/shame.swf" /><param name="wmode" value="transparent" /></object></center></p>
<p><center><img style="width: 320px; height: 180px;" src="http://www.losdoggies.com/Crap/bc4e971baf97d69b92a622f0d22890a4.jpg" border="0" alt=""/></center></br><br />
NYPD also like to make music, but none of that acoustic hippie drum circle crap. The boys in blue make electric music, using their favorite electric instruments―the Long Range Acoustic Devices, or sound cannons―that drone triple forte (ƒƒƒ), also known as &#8216;fucking fucking forte&#8217;, and drown out all melodies in their path. </p>
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<p>Like a thousand crickets crying out from a flaming field. Like every siren of every squad car from your local precinct all sounding at once. I have to jam with it. </p>
<p>By the way, did I mention:<br />
<center><em>THIS, IS, THE 99TH POST! THIS, IS, THE 99TH POST!</em></center></p>
<p>All politiks is art: It f<a href="http://www.losdoggies.com/fartedon.swf">ar</a>t.</p>
<p></font></p>
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		<item>
		<title>Holophonic Bug Love Songs</title>
		<link>http://www.losdoggies.com/archives/1434</link>
		<comments>http://www.losdoggies.com/archives/1434#comments</comments>
		<pubDate>Sat, 18 Dec 2010 02:04:22 +0000</pubDate>
		<dc:creator>Los Doggies</dc:creator>
				<category><![CDATA[Bloggies]]></category>
		<category><![CDATA[Animal Music]]></category>
		<category><![CDATA[Insects]]></category>

		<guid isPermaLink="false">http://www.losdoggies.com/?p=1434</guid>
		<description><![CDATA[Everywhere are musical bugs, alighting on your ears like black unstemmed noteheads. They buzz like B-sharp bees, or dangle from ledger lines like silent spiders. They fly like flatted F# flies, and hiss like beetles. They crawl into your openings, like earwigs and brainworms, to sink their hooks into you. They call to you in [...]]]></description>
			<content:encoded><![CDATA[<p><font face="verdana" size="2"><img style="float:left; margin:0 10px 10px 0;width: width: 284.25px; height: 191.25px;" src="http://www.losdoggies.com/Crap/Gryllus01.jpg" border="0" alt="" />Everywhere are musical bugs, alighting on your ears like black unstemmed noteheads. They buzz like <a href="http://www.losdoggies.com/archives/509">B-sharp bees</a>, or dangle from ledger lines like silent spiders. They fly like flatted <a href="http://www.losdoggies.com/archives/558">F# flies</a>, and hiss like beetles. They crawl into your openings, like earwigs and brainworms, to sink their hooks into you.  </p>
<p>They call to you in 1-note songs like crickets, then disappear every time you are near. It&#8217;s almost a 4/4 beat―keeping time like a heartbeat and other natural metronomes, sometimes approaching clockbeat click-track perfection if only for a measure, but usually tempoless and free like laundromat rhythms. </p>
<p>In a field of crickets, their staccato chirps smear together into one thick wavering drone. Imagine the male citizens of your country all singing together like this, in a field. </p>
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<p>This is a field cricket who chirps in D, the kind I usually hear out my window. They play with their wings and hear with their legs. They dig amps into the Earth, all to impress the ladies. </p>
<p>Trill, rest, trill, rest, like Verse-Chorus-Verse. Each trill is perceived as a single tone, sometimes a D, sometimes flat or sharp. Sometime D natural straight-up. Concert D.</p>
<p>If we slow down their song 2 octaves, we can see each trill hovers around D and C#. Crickets fire off a quick burst of staccato wingtones and then rest for about the same amount of time, creating a pulsing beat.</p>
<p><center><object type="application/x-shockwave-flash" allowScriptAccess="never" allowNetworking="internal" height="115" width="511" data="http://www.losdoggies.com/Crap/cricket2octaves.swf"><param name="allowScriptAccess" value="never" /><param name="allowNetworking" value="internal" /><param name="movie" value="http://www.losdoggies.com/Crap/cricket2octaves.swf" /><param name="wmode" value="transparent" /></object></center></p>
<p>If we slow it down yet another 2 octaves, we can see each single tone in the trill actually bends down from D to C#, and sometimes back up again. Plus, there are even smaller rests between these individual tones of the trill.</p>
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<p>So not only is he hitting D&#8217;s and C#&#8217;s in lickety-quick trills, but he also bends each single tone between these two tones. There is a kind of holophonic [sic] principle at play here, whereby each tone contains the whole. While we hear a collection of single tones jumping up and down a half step, each perceived tone is made of many shorter tones that also jump up and down a half step, and finally, each of these shorter tones also bends up and down a half-step―a triple-tiered semitonal holophonic bug song of love.  </p>
<p>Like any chirp tune enthusiast, I keep a <a href="http://www.losdoggies.com/Crap/%2805%29%20Stevie%20Wonder%20-%20Boogie%20On%20Reggae%20Woman.mp3">cricket in a cage</a>&#8230;<br />
<em>Can I play.</em></p>
<p></font></p>
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		<title>Latest Picardies and Bug Songs</title>
		<link>http://www.losdoggies.com/archives/839</link>
		<comments>http://www.losdoggies.com/archives/839#comments</comments>
		<pubDate>Sun, 26 Sep 2010 15:52:20 +0000</pubDate>
		<dc:creator>Los Doggies</dc:creator>
				<category><![CDATA[Bloggies]]></category>
		<category><![CDATA[Insects]]></category>
		<category><![CDATA[Picardy]]></category>
		<category><![CDATA[weezer]]></category>

		<guid isPermaLink="false">http://losdoggies.com/?p=839</guid>
		<description><![CDATA[The new Weezer album &#8220;Hurley&#8221; has a picardy on it &#8211; the band&#8217;s first and only picardy. If you recall from our last post, a picardy is when music changes key from Minor to Major on the very same root note. A reverse picardy occurs when a song turns from Major to Minor. In a [...]]]></description>
			<content:encoded><![CDATA[<p><font face="verdana" font size="2">The new Weezer album <em>&#8220;Hurley&#8221;</em> has a <strong>picardy</strong> on it &#8211; the band&#8217;s first and only picardy. If you recall from our <a href="http://losdoggies.com/archives/813">last post</a>, a picardy is when music changes key from Minor to Major on the very same root note. A <strong>reverse picardy</strong> occurs when a song turns from Major to Minor. In a rocking twenty year history of power chords, love-lorn lyrics, and <a href="http://sixfouronefive.blogspot.com/">Sensitive Female Chord Progressions</a>, it&#8217;s nice to see songsmith Rivers Cuomo finally employ this obscure musical device.</p>
<p><a href="http://www.losdoggies.com/Crap/11-weezer-all_my_friends_are_insects.mp3">&#8220;All My Friends are Insects&#8221;</a> by Weezer is in the key of E. It starts off with E Major for the &#8220;earthworm&#8221; and &#8220;butterfly&#8221; verses, but then promptly switches to E Minor for the &#8220;dragonfly&#8221; verse. The subsequent guitar solo keeps rocking the E Minor key in Munsters style, until the song modulates once more back to E Major for the remaining bridge and verse. Thus, it uses a reverse picardy in switching from E Major to E Minor, and then picardies again back to E Major. The structure is: Major-Minor-Major.</p>
<p>Thanks to Weezer for their picardy contribution, and also for correctly using gender-specific pronouns in reference to non-human animals. &#8220;It&#8221; is sung for the gender-bending earthworm, &#8220;She&#8221; for the pretty butterfly, and &#8220;He&#8221; for the colorful powerful dragonfly.</p>
<p>Why are insects friends? For their vital work in service of the ecosystem? Nah, because they fly around, being beautiful, doing what they do.<br />
</font></p>
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		<title>Musicquito</title>
		<link>http://www.losdoggies.com/archives/571</link>
		<comments>http://www.losdoggies.com/archives/571#comments</comments>
		<pubDate>Fri, 23 Jul 2010 21:06:13 +0000</pubDate>
		<dc:creator>Los Doggies</dc:creator>
				<category><![CDATA[Bloggies]]></category>
		<category><![CDATA[Animal Music]]></category>
		<category><![CDATA[Insects]]></category>

		<guid isPermaLink="false">http://losdoggies.com/?p=571</guid>
		<description><![CDATA[This mosquito&#8217;s got the high E. She plays it on her wings like all the other insects. Roll over the notehead below. Should you hear this Blood Tone, you&#8217;d do well to make haste. Mosquitoes kill more people than any other animal. Or, if you practice ahimsa, maybe you can vamp on the mosquito&#8217;s drone. [...]]]></description>
			<content:encoded><![CDATA[<p><font face="times new roman" font size="3">This mosquito&#8217;s got the high E. She plays it on her wings like all the other insects.<br />
Roll over the notehead below.</br></p>
<p><center><object type="application/x-shockwave-flash" allowScriptAccess="never" allowNetworking="internal" height="125" width="209" data="http://www.losdoggies.com/mosquito.swf"><param name="allowScriptAccess" value="never" /><param name="allowNetworking" value="internal" /><param name="movie" value="http://www.losdoggies.com/mosquito.swf" /><param name="wmode" value="transparent" /></object></center></p>
<p>Should you hear this Blood Tone, you&#8217;d do well to make haste. Mosquitoes kill more people than any other animal. Or, if you practice <a href="http://en.wikipedia.org/wiki/Ahimsa">ahimsa</a>, maybe you can vamp on the mosquito&#8217;s drone. Just hit a high E on your guitar!<br />
</font><br />
<font face="verdana" font size="2"><br />
<center>e&#8212;&#8211;12-12-12-12-12-12-12&#8212;&#8212;&#8212;-<br />
b&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
g&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
d&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
a&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
e&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
</center></font><br />
<font face="times new roman" font size="3"><br />
The Interspecies Orchestra is jamming all the time. Try not to kill or be killed by your bandmates. Peace babies!<br />
</font></p>
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		<item>
		<title>Fly Sharp</title>
		<link>http://www.losdoggies.com/archives/558</link>
		<comments>http://www.losdoggies.com/archives/558#comments</comments>
		<pubDate>Wed, 21 Jul 2010 13:10:52 +0000</pubDate>
		<dc:creator>Los Doggies</dc:creator>
				<category><![CDATA[Bloggies]]></category>
		<category><![CDATA[Animal Music]]></category>
		<category><![CDATA[Insects]]></category>

		<guid isPermaLink="false">http://losdoggies.com/?p=558</guid>
		<description><![CDATA[The house fly drones in F Sharp (F#). She&#8217;s a little sharper than that, but with the doppler shift constantly bending her drone as she flies away, the F# is probably around where she lands. Roll over the notehead below. F Sharp is an obscure tone. In Meantone Tuning, the common European tuning from 1500 [...]]]></description>
			<content:encoded><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.losdoggies.com/flypic3.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 166px; height: 253px;" src="http://www.losdoggies.com/flypic3.jpg" border="0" alt="" /></a><br />
<font face="times new roman" font size="3">The house fly drones in F Sharp (F#). She&#8217;s a little sharper than that, but with the doppler shift constantly bending her drone as she flies away, the F# is probably around where she lands. Roll over the notehead below.</br><br />
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F Sharp is an obscure tone. In <a href="http://www.kylegann.com/histune.html">Meantone Tuning</a>, the common European tuning from 1500 to 1900, an F# triad was unplayable. Not until the 18th and 19th centuries, with the advent of standardized turning systems like Well Temperament and Equal Temperament, did the F Sharp tonality of flies become fully available to composers. In other words, it was only in 1917, that mankind could really jam with a fly. Perhaps, humanity&#8217;s disdain for these bugs has something to do with the obscurity of their unattainable keynote.</p>
<p>Seriously though! Bees sing B Sharps (C), and Flies sing F Sharps (F#). What&#8217;s next, the Beatles&#8217; entire catalog is discovered, tabbed out on the walls of a French cave?</p>
<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.losdoggies.com/flypic2.jpg"><img style="cursor:pointer; cursor:hand;width: 270px; height: 300px;" src="http://www.losdoggies.com/flypic2.jpg" border="0" alt="" /></a><br />
</br><br />
Yes, there will be a field guide.<br />
And please do be kind to your fly friends. Just blow, and she&#8217;ll fly away.</p>
<p></font></p>
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		</item>
		<item>
		<title>Mellifluous Melodies</title>
		<link>http://www.losdoggies.com/archives/509</link>
		<comments>http://www.losdoggies.com/archives/509#comments</comments>
		<pubDate>Mon, 19 Jul 2010 19:29:32 +0000</pubDate>
		<dc:creator>Los Doggies</dc:creator>
				<category><![CDATA[Bloggies]]></category>
		<category><![CDATA[Animal Music]]></category>
		<category><![CDATA[Insects]]></category>

		<guid isPermaLink="false">http://losdoggies.com/?p=509</guid>
		<description><![CDATA[The honey bee drones in C (C♮). Roll over the notehead below. Sometimes, in honor of his namesake, he&#8217;ll drone down to a B (B♮). Ya know, like &#8220;B/Bee/Be natural&#8221;? Does anyone take reality seriously when this kind of thing exists? Mnemonic Device: Sharp Bees Buzz a B Sharp! The tone C might just be [...]]]></description>
			<content:encoded><![CDATA[<p><font face="times new roman" font size="3">The honey bee drones in C (C♮). Roll over the notehead below. Sometimes, in honor of his namesake, he&#8217;ll drone down to a B (B♮). Ya know, like &#8220;B/Bee/Be natural&#8221;? Does anyone take reality seriously when this kind of thing exists?</p>
<p><center><object type="application/x-shockwave-flash" allowScriptAccess="never" allowNetworking="internal" height="176" width="265" data="http://www.losdoggies.com/bee.swf"><param name="allowScriptAccess" value="never" /><param name="allowNetworking" value="internal" /><param name="movie" value="http://www.losdoggies.com/bee.swf" /><param name="wmode" value="transparent" /></object></center></p>
<p></br></p>
<p><center><strong>Mnemonic Device: Sharp Bees Buzz a B Sharp!<br />
</center></strong><br />
</br><br />
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VtQnXcqX1r8/TETU4ZeYuJI/AAAAAAAADfo/geBILCReH6g/s1600/headline2299.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 224px; height: 170px;" src="http://4.bp.blogspot.com/_VtQnXcqX1r8/TETU4ZeYuJI/AAAAAAAADfo/geBILCReH6g/s320/headline2299.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5495751510674946194" /></a><br />
The tone C might just be the most popular tone in America next to the <a href="http://losdoggies.com/?p=36">industrial B hum.</a> It&#8217;s possible that bees inspired the hum of our machines. C Major is an incredibly popular key. It is the &#8220;white keys&#8221; on a piano. It is a standard key for musical toys and little keyboards. <a href="http://losdoggies.com/?p=21">Wesminster Quarters</a>, the bellsong, is often in the key of C. And for Jupiter&#8217;s sake, Bees buzz it all day long!</p>
<p></br><br />
Please be kind to your apian friends, by letting them be!<br />
</font></p>
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		<title>Stridulations</title>
		<link>http://www.losdoggies.com/archives/105</link>
		<comments>http://www.losdoggies.com/archives/105#comments</comments>
		<pubDate>Sun, 03 Jan 2010 07:15:57 +0000</pubDate>
		<dc:creator>Los Doggies</dc:creator>
				<category><![CDATA[Bloggies]]></category>
		<category><![CDATA[Animal Music]]></category>
		<category><![CDATA[Insects]]></category>

		<guid isPermaLink="false">http://losdoggies.com/?p=105</guid>
		<description><![CDATA[If the woods were a jam, the crickets would provide a high-pictched pedal point with their incessant chirping for the birds to solo over. Crickets chrip all around a D tone. If you drag the mouse back and forth over the score above, you can get a sense of what a field of crickets sound [...]]]></description>
			<content:encoded><![CDATA[<p>If the woods were a jam, the crickets would provide a high-pictched pedal point with their incessant chirping for the birds to solo over.</p>
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<p>Crickets chrip all around a <strong>D</strong> tone. If you drag the mouse back and forth over the score above, you can get a sense of what a field of crickets sound like. They create a drone that encompasses the length of a semitone, centering around a <strong>D</strong>.  </p>
<p>The lickety triplets of the katydid will serve to percuss the crickety chorus. Drag over this onomatopoeic insect&#8217;s slick little rhythm.</p>
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<p>We can even throw a cicada solo on top to complete our North American insect jam. Rev up a few of these 64th-note shredder melodies that jump around chromatically (semitone by semitone). </p>
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<p>Like any jammers, insects are engaged in a feedback loop. The natural amplification of their stridulations distorted our ears for centuries and probably motivated human beings to want to rock even louder. Along with lightning, they also heavily influenced the development of electronic music in the creation of simple sine wave timbres. Most importantly, insects provide the key note to birdsong, as well as minimalist percussion admist the open-air ambience. </p>
<p>So please be kind to your insect brothers and sisters! Take a moment and jam, using the cricket drone, katydid triplets, and cicada solo. Happy dragging!</p>
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